This Month’s Theme is
Routine
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Routine •
The Rhythm of the House
a bedtime story for grown-ups with little ones
By Minhee Yeo
Once upon a time, in a cosy little house — the kind where toys gathered under the sofa like they’d formed a secret society, and crumbs had taken up permanent residence beneath the table — lived a Mama named Mari.
She had two little stars who filled her days with love (and laundry): four-year-old Isobel — a joyful chatterbox with a serious love of broccoli — and baby Otto, three months old and as relaxed as a tiny monk wrapped in a sleepsuit.
Every morning, just before the sun blinked awake, Otto would make a soft little squeak.
“Eeeeehh.”
It was his gentle signal for milk — polite, but firm.
Mama Mari didn’t even need to leave the bed. She’d stretch, yawn, and scoop Otto from his baby cot right next to her bed, settling him into the cosy feeding nook she’d built into the headboard — a little sanctuary of squishy pillows, muslins within reach, and sleepy baby snuggles.
Some mornings, Isobel would tiptoe in with ninja-like grace, whispering, “Mama, I had a dream I slid into a swimming pool that was inside a watermelon.”
No one quite knew how her dreams worked — possibly magic, possibly melon — but Mari cherished every surreal little tale.
And so they’d sit there together: one sleepy mama, one imaginative dreamer, and one perfectly content little feeder. Their own kind of morning meeting.
Breakfast followed — nothing on the floor (Isobel was far too efficient for that), but goodness, she took ages.
“Chew, chew, chew,” said Mama.
“I am chewing,” replied Isobel — still mid-bite from ten minutes ago.
One lost sock (usually Mama’s), and a school run that somehow always started five minutes late.
“Shoes on, Isobel!”
“Where’s the baby’s burp cloth?”
“Did I brush my teeth? … Sort of.”
But somehow, they always made it.
They always did.
The day spun gently along, full of baby giggles, nap attempts, crumbs being swept and then immediately re-scattered, and small pauses where Mari closed her eyes for just one minute — until someone needed something, of course.
In the afternoon, Isobel would return from school with paint on her sleeves, twigs in her pockets, and a story tumbling out before the door even shut.
The house filled with sound again — the happy kind, the tired kind, and the “Can I have more broccoli, please?” kind.
Evening brought its own kind of magic.
Warm baths, soggy flannels, sleepy books read twice in a row, and the sweet routine of milk and forehead kisses. Isobel tucked herself into her blanket fort like a queen in her castle.
Otto gave a big baby yawn that said, “You did it again, Mama.”
Later, in the hush that followed — that rare, golden silence born from full tummies and finally-closed eyelids — Mama Mari sat with a warm cup of tea, her shoulders sinking slowly back down.
Papa Leo peeked in from the kitchen.
“You do all this,” he said, “and still remember to brush your teeth. Impressive.”
“Only the bottom row,” said Mari. “They were the lucky ones today.”
They laughed.
Not a loud laugh — that might wake someone — but the kind of laugh that lives in your lungs and lets you breathe a little deeper after a long day.
And so the rhythm continued.
Some days were shiny. Others were chaos with a side of nappy cream.
But the house hummed with love, with sleepy hugs, and the sound of tiny feet finding their way in the world.
It wasn’t perfect.
But it was theirs.
Goodnight to the little stars, to the busy hands and warm hearts.
May tomorrow bring new stories, fresh giggles, and just enough quiet moments to breathe.
Routine
By Suyoung Park
When Things Collapse
By Namoo Chae Lee
When everything fell apart for the first time, we stopped doing what we usually did. My mum stopped eating, my sister refused to wake up, and I couldn’t sleep. The simple routines—waking up, eating, and falling asleep—were threatened, shattered in the face of crisis. Slowly, we began to rebuild them. My mum started eating again, my sister began to move, and I managed to sleep. We summoned the strength to re-establish those routines.
When it happened again, we made sure Mum ate. I forced myself to sleep, and my sister forced herself to stay awake. We all helped each other perform “normal,” whatever that meant. Each time something happened, we strengthened the muscle needed to carry out those daily acts, believing they would save us—make everything feel right again.
And then it happened again. Once more, we all stopped. Life paused.
But soon, we came together and quickly began to build a new routine around it—as if eating and sleeping were the only things that mattered in the world. I, too, have been working to create my own routines, to keep myself sane. We turned these small things into something significant—as if this simple bowl of rice were a matter of life and death.
Then I thought, life is about holding on to these small routines. And when we celebrate them, they become rituals. This, I believe, is theatre: small rituals that remind us of the importance of our routines. When things fall apart, it’s our routines that are threatened. Most of life is just a series of them—waking up, going out, coming home, falling asleep. These simple cycles shape our days. We add rituals to highlight them, to make them meaningful, to emphasise the importance of these small acts.
Life or theatre? That’s the question I’ve carried for so long—until both my art and my life seemed to dissolve. Art should be built upon life, not the other way around. I’m creating rituals in my life, based on my small routines. Those routines make my rituals unique. I cherish them. So, I eat—as if that is the most important thing in the world. Every time I call home, I ask if they’ve eaten, if they’ve slept well. That’s what matters—the routines that keep us well enough to survive.